I admit to not being clear as to what the differences between 48 bit Color and 48 bit HDR Color are. I had been thinking of using 48>24 Color because, as I understand it, Elements can't do much with 48 bit files so I would have to convert them to 24 bit anyway but this setting will allow me to use 48 bit for anything I do within Silverfast but the output will be 24 bit. The 7600i just offers me 48>24 Color (default setting), 48 bit Color and 48 bit HDR Color (not HDRi) plus corresponding 16 bit Greyscale settings which I assume are for black and white film. I will give your workflow a try but I can't scan at 64 bit HDRi. It's automatic white balance tool usually improves the white balance from SilverFast. And here is another secret: I bought CaptureOne software because I'll probably go digital and wanted to learn how to use it, but I found out that it works great on the TIFFs generated by Studio. So I first hit the auto-adjust button that looks like a camera iris, and then bring the contrast curve back to a straight line.īut here is a little secret: I found that using the built-in icc profile for Kodachrome that comes preloaded with SilverFast usually gave better results for Kodachrome scans than my custom generated icc profile from my IT8 Kodachrome target. That is, my contrast curve is just a straight line. I usually find that I prefer no contrast applied. Then open the raw files with Studio, where you can adjust the histograms and contrast to your liking. Just scan with SilverFast Ai into 64 bit HDRi files. I sold my Nikon 9000 scanner recently, but I did have the pleasure of using it with SilverFast for a few years.
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